喜福会观后感合集(9篇)。
当我们聚精会神的观赏某段电影时，优秀的影视节目能够充实我们的内心。写一篇观后感，也是为了真实的记录我们观看作品之后悟出的道理，观后感可以让我们更加敏锐地察觉到各种事物背后的内涵与意义。以下是好读后编辑为您精心整理的“喜福会观后感”相关内容，要获取更多信息请定期访问我们的网站！
喜福会观后感 篇1
（附英文观后感）简介：《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。.
（附英文观后感）正文：" the joy luck club" is about the four chinese immigrant women and their children grew up in the united states between the respective story. the title of the novel" the joy luck club" is the original mothers played mahjong party.
these women moved to the united states for decades, but they still think constantly of raised by traditional education, abide by the chinese for thousands of years the penetration in the blood, women have become almost feudal patriarchal ideology nature. their common ideal is to strict education, over his daughter, so they can escape their this generation of women's destiny, they become the eyes of a happy woman. however, the mother of the bundle, the girls in their different ways a revolt, in this race, class, gender inequality in american society, two generations of women staged a fight each other to reach the same goal by different routes, by mutual recognition of tragicomedy.
in the tragedy and comedy, the deepest impression is not character mouth lay things, but they cannot speak, those unable to touch, carefully conceal mentioning things, is the silence behind something. here, silence has become a symbol, its huge destructive power to destroy the existence of female self-esteem, self-confidence and courage, so that they are suppressed in the heavy loss of the ability to survive. however once the silence is broken, the destructive power will immediately disappear, have been suppressed for a long time will be the recovery of human nature, the relationship between balance and harmony will be restored.
" the joy luck club" in they and most of the tales are silent and breaking the silence on the main line of weaving together
the joy luck club,"" to give our inspiration: in the united states, is one of the so-called multicultural, namely sub-culture and mainstream culture to maintain a consistent pattern, essentially just a trick to cover other's eyes and ears, and cultural assimilation and psychological aggression cover. then, with the other minority women, chinese women only to regain the original self, breaking the silence and gender culture of silence, in their own way to self-esteem, self-confidence, independent life, to enter the " joy and happiness".
《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。这些女性移民美国几十年了，但她们仍然珍视从小接受的传统教育，恪守几千年来渗透在女性血液中、几乎成为她们天性的封建宗法思想。
她们的共同理想是严格教育和控制自己的女儿，让她们逃离自己这一代女性的命运，成为眼中的幸福女性。然而，为了控制母亲，女儿们以不同的方式反抗。在这个种族、阶级和性别不平等的美国社会，两代女性上演了一出从互相争斗到达到同一目标、相互认同的悲喜剧。在这部悲喜剧中，给人印象最深的不是人物说的话，而是她们张嘴、摸不到、藏不住的东西，这就是沉默的背后。
在这里，沉默成了一种象征。它的毁灭性力量摧毁了女性赖以生存的自尊、自信和勇气，使她们在严重的抑郁症中失去了生存的能力。然而，一旦打破沉默，破坏力就会立即消失，压抑已久的人性就恢复活，平衡和谐的关系就会恢复。《喜福会》中母女们的悲欢故事大部分都是以沉默和打破沉默这条主线编织起来的。
《喜福会》给我们的启示之一就是：在美国，所谓的多元文化，也就是亚文化与主流文化保持一致的新格局，从本质上来说不过是一场掩人耳目的把戏，是对亚文化的同化和心理侵略的掩盖。那么，与其他少数民族的女性一样，华裔女性只有重新找回原本的自我，打破文化的沉默和性别的沉默，按照自己的方式自尊、自信、自主地面对生活，才能最终进入“喜与福”的境界。
喜福会观后感 篇2
当赏读完一本名著后，相信大家的`视野一定开拓了不少，何不写一篇读后感记录下呢？那么如何写读后感才能更有感染力呢？下面是小编精心整理的喜福会英文读后感，欢迎阅读，希望大家能够喜欢。
Reading the novel is not the first time of my knowing The Joy Luck Club. When I watched the film, the meaning of the title, the theme of the novel, the reason for the arrangement of stories from four mothers and their daughters and other important things were all unknown to me. But I knew that was my type for it is about feelings between mothers and daughters, and especially chinese speaking Eglish.
Amy Tan, a Chinese American writer, is the author of the book in which she explors the mother-daughter relationships. Originally, the relationships between mother and daughter seem to be quite complex in a family but in Amy Tan"s work, it is perfectly typical for its portrayal of conflicts between the traditional Chinese mothers speaking shabby English and the open wholly Americanized daughters who just wear a Chinese face but speak fluent English. I never think it is richly dramatical, and instead these kinds of conflicts, in fact, truly ecists in many Chinese immigrants" family. The novel is written impressively and deeply especially, I think, in understanding of mothers" love for their daughters for reasons that the previous experience of her with her mother provided the basis for her novel. It is said that the exprience of anthor is similar to that of Jingmei woo. Maybe, the novel implies the deep and complex feelings of auther for her mother and her closest relatives in China.
It gives me a greatly deep impression that the book is begun with Feathers From a Thousand LI Away. It penetrates the mothers" hope and love for their daughters through a swan"s feather. Through the old woman"s words In America I will have a daughter just like me. But over there nobody will say her worth is measured by the loudness of her husband"s belch. Over there nobody will look down on her, because I will make her speak only perfect American English. And over there she will always be too full to swallow any sorrow! She will know my meaning, because I will give her this swana creature that became more than what was hoped for. and the mothers" former tragic sufferings, we will find that all the mothers are in hope of their daughters never suffering from their sufferings. And the mothers waited, year after year, for the day, they could tell their daughters it is their hope through a feather of the swan in perfect American English. At first, it is a little difficult to understand the reason for these words. However, through the whole novel, in fact, you will find the old woman represents the four mothers, the feather of swan embodies the hope of mothers for their daughters. These sentences show implicitly the feelings of author and her understandings for mothers. In fact, in the Joy Luck Club, the feather indeed is gained by Jingmei Woo. And from the beginning to the end,the feather has been existing.
Only if one high-quality novel, like a perfect verse, needs you spending much time reading once more, you will understand something. I thought that the novel is loosely plotted and is in disorder. But the fact verifies that I am wrong. Through the whole story, the novel begins with the death of Jingmei"s mother and ends in Jingmei visiting China to see the twin-half sisters whom her mother had been forced to abandon when the Japanese attacked China many years ago. What"s more, in detail, the stories of four mothers and four daughters have relative connections in theme about love between them and the mothers" hope for their daughters. And the theme shows the comflicts and harmonization between different cultures.Then I think why the author titled the novel Joy Luck Club . I am puzzled by it and the purpose of writer. The name of club made mention of by Jingmei"s mother. And the author directly titling the novel the name of their meeting implies her feelings for her mother. I can guess that the title originated from a kind of hope or belief. According to mothers" former sufferings, they were not happy. Even at the present, all of them hides the previous tragic experiences. Maybe, the club is a place where they can pretend to be happy or avoid the past memory or worries or even the shock of culture.
Reading the novel is as we are reading our life and then think our past, present and futere. Especially, the conflict between Waverly Jang and her mother impresses me most. Waverly is a woman who is quite independent-mined and intelligent, but her mother"s constant criticism is terribly annoying. She once had a gift for international chess.however, when she realized her mother taking advantage of her achievement and talent to show off in public, especially to the strangers, she felt terribly ashamed and annoyed. She shouted to you can not make me . From then on, her mother felt cold at Waverly and were particularabout her favorite things. In fact, I think Waverly felt sacred subconsciously at letting her mother down and something that she did was aimed at flattering her mother. When waverly brought her boyfriend, Rich, to her families, her mother just smiled but she still was particular about Rich"s appearance, having many spots on his face. Description about the conflicts of manners between Chinese tradition and American notions has given me a greatly deep impression and quite interesting. These words of And then he had helped himself to big portions of the shrimp and snow peas, not realizing he should have taken only a polite spoonful, until everybody had had a morsel. vividly express the American character of being casual which counts as discourtesy in China. The part of Rich criticizing her mother"s cooking is quite funny and impressive. Our Chinese habit of making disparaging remarks seems to be extremely common. Being modest and avoiding showing off are parts of Chinese traditional manners. Her mother complaining about This dish not salty enough, no flavor , in fact, was a cue to eat some and proclaim it it the best she had ever made. But the Rich did not understand. From the following description of her mother being horrified, I judged that her mother was bly objective against Rich and even their marriage. Waverly also had such an opinion. But I am wrong and from their conversation I understand something more important. Mother is the only one that understands their daughters or sons in the world.And none of the mothers do not love their children. And the heaty conversattion can make a b bridge between the different generation or even the peonple from the different cultures. I find that if you would not like to tell your hearty words out, others are not able to know what you are and what you think. People each have different opinions about the same things. Waverly had thought that her mother disapproved of her marriage and hated her Rich. However, her mother"s meaningful words surprised Waverly and even me. Just be particular about who I really care for and love. It occured to me that whoever we hurt is always who we really love for reasons that others would not care for our complaint. Yes, who will care for those who you do not love ? The answer is known by us fron the beginning to the end. It is the love for Waverly that her mother has been showing her. Waverly, a wholly Americanized girl, never trully knew her mother and was ignorant of the love for her. Indeed, the language and the culture did make a great difference in the exchange of feelings, which is a terribly high barrier between Waverly and her mother, also between other three mothers and their daughters. But love and understandings, finally will prevail over others.
Personally, through the whole novel, the conflict between mothers and daughters, virtually, is that of the cultures between the East and the West. Mothers represent the classic, traditional Chinese culture but the daughters are the symbol of just, free, open and modern American one, which are two kinds of contradictory elements. However, through the whole novel, it is easier to find that finally they can understand each other and be in harmony. When Jing-Mei saw her twin-half sisters, she was surprised at this kind of familiarity. And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood. After all these years, it can finally be let go. shows that Jing-Mei understood her mother"s stubbornness and love and was struck by mother"s greatness. The resolution of the contradiction shows that the cultures of the East and the West can be in harmony with each other.
喜福会观后感 篇3
在《喜福会》中，沉默的主题似乎无处不在，但又仿佛是作者在漫不经心中流露出来的。书中的女性不仅是沉默的受害者，也是将沉默锻造成一把锋利无比的剑去互相伤害的杀手。小说中的琳多和魏芙丽这对母女就是最典型的代表。女儿魏芙丽少年时代很有下棋的天赋，每逢与人对弈都犹如有神人在暗中相助，无往而不胜。她在学校和市、州级的比赛中都捧回过奖杯，这令做母亲的颇为自豪。她走在街上，逢人便拿出登有女儿照片的杂志封面向人炫耀。这引起了女儿的反感。争吵之后，母亲一连几天缄口不语，对女儿下棋的事情不闻不问。最后，女儿沉不住气了，主动与母亲讲和，又继续参加比赛。然而，奇怪的是从此以后她身上的那股神奇的力量不见了。她一输再输，直到最后不得不放弃了下棋，从一个天才的棋手变成了个普通人。这不能不说是一种超现实的描写。女儿身上神奇的力量自然是母亲所赋予的，而母亲的沉默竟永远地夺去了她的天赋。在母亲的眼中，女儿的生活是透明的，一切都逃不出她的眼睛。但是，当女儿带着她参观自己新布置的住所，希望间接地告诉她自己已再婚的消息，并迫切希望得到她的首肯与祝福时，母亲却作出一副充耳不闻、事不关己的样子，或者顾左右而言它，或者干脆不予理睬，把女儿悬在了沉默的半空中，使她受到了比来自话语更加深重的伤害。对这一点女儿有着切肤的体会：我妈妈懂得怎样让人痛苦，这种痛苦比任何其他形式的痛苦都更加深重。这位母亲能让白色变成黑色，黑色变成白色，让女儿经过精心调整、自以为满不错的新生活包括新婚的丈夫、自己的女儿与新继父之间和谐的关系、丈夫送她的贵重礼物裘皮大衣、精心布置的家；一切的一切都变得一无是处、毫无价值可言。母亲利用沉默这把利剑把女儿戳得鲜血淋漓、体无完肤，而更可悲的是女儿从母亲身上继承来的那不可救药的心理情结（非要得到别人的肯定才能生活得心安理得）。一个非要不可，一个执意不给，这场不见硝烟的沉默战争使母亲和女儿都身心交瘁，伤痕累累，在双方感情上造成了本不该有的深深的伤害。一天，当女儿下定决心要去找母亲说个清楚时，她才在母亲睡熟的时候霍然发现，自己那强大的敌人原来不过是一个毫无攻击力，甚至是不堪一击的老妇人，这是多少年来她第一次发现母亲的真实面孔。经过一番母女间推心置腹的交谈。女儿终于认识到：
真的，我终于懂了，不是懂了她刚才所说的话，而是那些原本就是真实的事情。
喜福会观后感 篇4
今天晚上花了两个多小时，把《喜福会》（The Joy Luck Club）这本小说看完了。之所以看这本书，其实只是因为公选课需要读这本书的关系，但是当我读完了之后，发现这本书其实还是很不错的。虽然在公选课的经典书单里面这本书不那么经典，但是我觉得比起其它的书可能这一本反而要更加接地气一点。
这本书里面设定了四对母女，而书中的故事基本上就是围绕着母女之间因为代沟产生的矛盾展开的。这些故事之中有的关于成长，有的关于婚姻，但是我觉得这些故事无疑都围绕着一个关键，那就是女人的幸福。书中的四位母亲，都是成长在战争年代，有的富有有的贫穷，但是都因为机缘巧合有了人生的转折，来到了美国。她们不懂得怎样说一口流利的英文，但是却希望自己的女儿们能够在这里走向成功，获得幸福，不会走母亲们的老路。这种强烈的、带有中国传统色彩的愿望，与从小成长于美国文化的女儿们身上产生了巨大的碰撞。女儿们大都能够理解母亲们的苦心，然而却不能够接受他们母亲的想法。以至于他们都陷入了困境，然而在母亲的帮助下，又再次收获了幸福。
书中给我印象颇为深刻的大概是母亲们的故事。比如说琳达拥有对自己的强烈追求，而用自己的智慧获得了自由；又比如安梅见证母亲的命运而对自己的命运有着强烈的掌控欲望，这种不向命运屈服或者更直接的说不向男人屈服的特质最终遗传到了她的女儿露丝身上。而祖孙三代，也代表了从屈服、觉醒到抗争的三个阶段。比起女儿们的故事，母亲们的故事更加奇异更加特别，也更加发人深思。
然而这本书也并非完美。在我看来，作者采用了分镜头的方法，每一章都可以看做一个简单的故事，而所有的故事又隐隐有一条线索穿行其中可以让它们联系在一起。这样的写法现在渐渐流行了起来，比如说非常热门的《冰与火之歌》。分镜头的写法固然可以让故事不断切换到第一视角，让故事叙述更加方便而真实，但这种方式也造成了读者阅读的困难。尤其是其中有一些事件发生的时间并不明确，导致了故事间的因果也不甚清晰。所以这也可以说是这本书的一点瑕疵。
除此之外，对于我来说，或许还有一点不满意的就是这本书的中译本。这译本给人的感觉过于生硬，感觉译者对中美文化间的差异与相似没有深入了解，翻译技巧也有一定的不足。导致不少语言上的妙处需要注释来点出，损失了原文的趣味。当然，我还是很愿意再读一读这本书的原文或者其他的译本。
喜福会观后感 篇5
高一时买了《喜福会》以来，我已经看了不下五遍。
这本书是以四个中国女人逃难到美国并开始新生活为背景而展开的，讲述了她们以及她们四个女儿的故事。本书内容基于复杂的时代背景，复杂的文化环境所，引起了我的诸多感悟，特别是“童养媳”江林多的故事，触发了我最多最深的思考。
江林多是一个太原普通人家的女儿，早在她两岁时家人给她与姓黄的一大户人家定了婚事，所以从她小时开始，母亲就把她当做“黄家媳妇”来看待。十几年过去了，由于汾河发大水，把江家冲毁了，于是她们家只能把她提前嫁去黄家。她为了信守父母的承诺，不给父母丢脸，从一名棘手、倔强、有自己想法的女孩变成一名只会尽心尽力的服侍着挑剔的婆婆和丈夫的乖媳妇。后来婆婆因她不能为她那14、15岁的丈夫生出孩子而故意刁难她，正是因为这样，使她发现自己就算无论尽多大的努力也无法讨好自己的婆婆，于是她突然觉醒了，发现了自我的价值，远赴美国开始新生活。
看完这个故事梗概，想必很多人都会感叹江家父母的狠心以及江林多的寻找自我的不易。在我看来，这个故事正是中国上个世纪父母的真实写照。他们会为了孩子的未来而狠心放弃一些东西。林多的母亲狠心地很早就为自己的女儿定下娃娃亲，从小当别人的女儿一样来养她。看似狠心母亲，其实也是这个世界上最爱她的人：即使留下丰厚的嫁妆，但在临别时还是不听丈夫的劝阻把祖传的珍贵的赤璋留给女儿。而给她留下的最后的话是：好好听黄太太的话，别丢我们家的脸。母亲的初衷只是想让女儿能嫁个好人家，安安分分的生活。可是正是因为这句话，让林多失去了自我，为了母亲的期望，为了母亲的想法而生活。
古往今来，母爱的伟大是不容置疑的。可是，卧冰求鲤这类故事也体现了孩子对父母的付出。母亲与女儿，父母与孩子，不是仅仅表面看到的只有单方面付出的关系，而是相互依赖、反哺的。就像很多当代的单身青年一样，面对父母的催婚而苦恼，其实他们大可以任性一把，对父母说“我的婚姻不用你们操心。”可实际上这么做的又有几个呢?因为他们知道，父母总是”养儿一百岁，常忧九十九“，已经在上学时为他们担忧学习，毕业时为他们担忧工作了，所以只能乖乖去相亲以求快速解决父母的忧虑。牺牲自己的幸福来换取父母的快乐，这可以说是很多人的做法了。
这个做法是对是错，其实并不重要。为了所爱的人牺牲的人，才是最勇敢的人。
喜福会观后感 篇6
《喜福会》是一部关于女人的电影，是一部关于女人对幸福的追求的电影，是一部关于女人灵魂的自由的电影。
电影中人物很多，但是人物背后却始终是三种主角支撑：奶奶、母亲和女儿。奶奶在中国经历她的人生，母亲从中国移民到美国，女儿在美国长大并成家立业，三者连成一条完整的文化迁移链条。奶奶主角身上有十分强烈的晚清妇女观念残留：社会地位低、遭遇指腹为婚、在婚姻中永远处于弱势、自卑、容易满足、隐忍等等然而她们表现的出的对自己女儿的爱，哪怕是在那个将女人当成传宗接代的生育工具的社会中，这种爱和世界上任何一个国家的女人对自己骨肉的爱没有丝毫不同，没有丝毫的卑微。母亲主角因为战乱因缘际会来到美国，重新拥有家庭，开始另外一种文化寄居的人生，她们到老年的时候已经喜欢聚餐、抽烟、打麻将，讲着一口近乎流利的美国英语，但是每一个在美国过着快乐晚年生活的母亲主角的背后，都深深埋藏着在中国所经历的一切关于婚姻的痛苦回忆。女儿主角已经是另外一块大陆文化的产物，她们只能在老照片里、书信里、或者他们的母亲的皱纹里才能稍微想象在那个遥远的陌生的国度里，有自己的根。
尼古拉斯凯奇在《战争之王》里的画外独白，让画面的魅力散发的更加彻底，在《喜福会》里也不例外。叙事线索的切换在超多旁白女声的连续中显得格外流畅，虽然线索很多，但是却梳理的很清晰。里面出现的种种文化符号，都或多或少让我们熟悉、震撼：农村妇女和富家女主人坐着定下自己幼小女儿的未来婚姻;母亲跪坐着紧抱自己淹死的孩子;makeatoast式的ABC聚会;死者回魂观念对生者的威慑力;玉坠的代际传承;一夫多妻;没来由的性绝大部分的符号，都在表现女人在那个时代的所代表的价值和地位。
血脉亲情是电影表现的一大主题，但是电影还探讨了另外一个隐性主题：婚姻。虽然我没结过婚，好像说婚姻会显得自己很幼稚，也许本来就很幼稚。但是正是这样，我才能以局外人的身份来看待婚姻这个东西。从电影里倒是不难提炼出婚姻的价值共识：尊重、沟通、理解、给彼此自由。毋庸置疑，在电影中，几乎所有女人的命运都是以婚姻为转折点的。奶奶主角在中国为人妻，在婚姻中的地位是和自己孩子的性别捆绑在一齐的，生儿子和生女儿将意味着母亲在婚姻中的方位千差万别;母亲主角来到美国，一边是自己在中国的残破婚姻，转过头来却还要寻找对婚姻的延续;女儿主角呢，则已经完全具备了美国婚姻观，男女间没有了敬畏和未知，他们交谈更彻底，却同时也为这种彻底付出代价。电影里出现的婚姻男性大都是强势、胜利者、不用承担职责和痛苦煎熬的主角。有人说婚姻中男女的地位的这种天生不平等是以性为起点的，那就是说它是与生俱来的?(这个探讨能够写本书了)它甚至直至这天仍然强烈的影响我们的观念以及我们这些年轻人在讨论未来时不自主所具备的立场女权主义在上个世纪二三十年代的滥觞也与此不无关系，但是我个人仍然坚持男女平等。婚姻是一个旅程，我们规定了和期望着它要和生命同时走到尽头，所以在开始旅程时我们总要满怀信心。
曾梅最后见到自己两个孪生姐姐的镜头，昭示着叙事链条的首尾相接，算是圆满的结局，她的姐姐梗咽着喊出妹妹的时候，我也跟着梗咽。女人的灵魂自由有多么重要，此刻又有多少人会在意这一点呢?
喜福会观后感 篇7
《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。这些妇女移居美国已有几十年，但她们仍念念不忘从小受过的传统教育，恪守着中国几千年来渗透于妇女血液之中、几乎已成为天性的封建男权的思想。她们共同的理想就是要严格教育、管束自己的女儿，使她们能逃脱自己这一辈女人的命运，成为她们眼中幸福的女人。然而，对于母亲的管束，女儿们则以各自不同的方式一味反抗，在这个种族、阶级、性别不平等的美国社会里，两代女性上演了一出由相互争斗到殊途同归、相互认同的悲喜剧。在这出悲喜剧中，给人留下印象最深的不是人物口中道出的事情，而是那些她们无法启口、无法触及、讳莫如深的事情，是沉默背后的东西。在那里，沉默已经变成了一个象征，它那巨大的毁灭性力量摧毁着女性赖以生存的自尊、自信和勇气，使她们在沉重的压抑之中丧失生存的潜力。然而一旦打破沉默，这毁灭性的力量就会立刻消失，被压抑已久的人性就将得到复苏，平衡和谐的关系就会得到恢复。《喜福会》中母女们的悲欢故事大部分都是以沉默和打破沉默这条主线编织起来的。
《喜福会》给我们的启示之一就是：在美国，所谓的多元文化，也就是亚文化与主流文化持续一致的新格局，从本质上来说但是是一场掩人耳目的把戏，是对亚文化的同化和心理侵略的掩盖。那么，与其他少数民族的女性一样，华裔女性只有重新找回原本的自我，打破文化的沉默和性别的沉默，按照自己的方式自尊、自信、自主地应对生活，才能最终进入“喜与福”的境界。
喜福会观后感 篇8
生活就是一部很长的故事，有喜，有怒，也有离合，却没有大气的导演，也没有著名的编剧，就像你永远把握不了命运的航行，控制不了剧情的发展；却时而要被无谓的琐事所缠绕，包括母亲的唠叨与期望。或许，这些琐碎更像断了线的珠子，唯有母亲的双手将其穿起，穷尽一生，装扮你美丽的嫁衣，还以世人……
对于母亲的往事，我们多半是不去理会的。偶尔碰巧当她和旁人谈及于此，我便会放下手中的工作侧耳倾听，分享她久违的欢乐，时而高扬，时而阴郁，更多的感动之中包杂着些许无奈。
时光飞逝，鬓发渐白。也许真如邓肯所说，“母爱是多么强烈、自私，狂烈地占据着我们整个心灵的感情”。君，一个普普通通的女孩，从小在母亲期望的困扰中成长、挣扎、释放、反抗。在这些所谓的哀怨之下，掩盖的是未知、迷茫、陌生。希望，让彼此间的距离疏远，她也无法及时体会到母亲心里附加的伤痛。在卑劣的环境下，每个人都是一只鸭子，她们渴望自由、独立、尊严，渴望成为一只无拘无束的白天鹅，过着属于自己的，拥有自我灵魂的生活。在现实中，所有的苦难倘若化为一场战争，那么女人的选择只有离开。也许母亲恨的不是女儿的平庸，而是自己曾经对生命的放弃，对两个孩子希望的放弃。
是的，母亲最后成为了一只天鹅，拥有了自己向往的生活，而那根仅留在箱底的天鹅毛，至死也没敢送给女儿，她觉得自己做得不够好。
当爱已无声的时候，我们还能错过什么？打个电话，送个平安，说声妈妈，我爱你！
喜福会观后感 篇9
美籍华人作家Amy Tan，谭恩美。看过她在TED关于创造力的演讲，风趣幽默。谭恩美本人有着外国人眼中“极具东方特质”的长相。高颧骨，丹凤眼，不美丽但是透着俏皮，一个很讨喜的老太太。
《喜福会》是在看完以后才知道是她的处女作，由此联想可以理解为什么文中处处透露着个人经历的影子。书里的四个女儿，每人身上都藏着一个Amy。而女儿的母亲们，每个人都代表一位典型中国女子。
从“矛盾”到“融合”，从“破碎”到“圆满”
如果说西方读者在阅读时，比较会被文中神秘莫测的东方“异”文化吸引（麻将，风水，嫦娥的传说以及各种古老的中式传统），中国读者则会更多地与文中体现出来的“矛盾”产生共鸣。这种“矛盾”，由年龄，地点，历史和文化的改变产生，如同一个巨大的漩涡，包裹着文中所有女子。
四个在清末至民国年间成长起来的女人，接受各种传统中式教育和安排（缠足，童养媳，被嫁给年龄不登对的男子），经历了战乱的波折，最终需要在美国站稳脚跟。她们各有不同遭遇，有人丢失了孩子，有人丢失了名姓，相同的是内心都怀揣一份属于遥远东方的秘密。
因着这些秘密，她们或告诫，或强制干预她们的女儿，只为不让女儿们重蹈覆辙，尝她们尝过的苦。这是典型的中式家庭教育，无论是被强迫学习钢琴的吴精美，还是因展现象棋天赋后被施加过多期望的韦弗莱，被过分保护的丽娜，一直觉得被挑剔的罗丝。每个中国读者都能在这四个女儿身上找到童年和母亲相处的影子。
吴精美曾经讨厌母亲，因为觉得她被强迫做了自己不喜欢的事情。韦弗莱讨厌母亲，因为无法忍受她对自己超乎预期的期待。丽娜讨厌母亲，因为觉得母亲处处限制自己，毫无自由可言。罗丝讨厌母亲，因为觉得母亲小气又挑剔，仿佛自己做什么都是错误的。
这是中国年轻一代共同有过的经历，是我们每个人都曾经和母亲产生过的矛盾。然而，随着时光流逝，随着年龄渐长，这些矛盾背后的深意逐步被显示，如同四位母亲怀藏的秘密那般展现在读者面前。于是，矛盾朝着融合的方向靠去，不管是东方还是西方，不管是中国人还是美国人，母女终究是母女，每个女儿最终以各自的方式，寻到了这微妙关系里面的圆满。
学会爱自己，不要过分依赖男人
除了探讨文化教育的差异和母女关系，本书还强调了一个观点：女子应该学会爱自己，并不要依靠男人。江林多的故事是一个女子从自我觉醒到逃离命运的典型。林多自幼已成为别人的儿媳，柔顺有度，在婆家为了维护娘家颜面，做到了一个“好”儿媳应做的一切。而她心里始终明白自己是谁，要什么，因此当时机成熟，她聪明的离开了。而她也将这特质传给了女儿韦弗莱，使她成为一名坚强独立的女子。实际上，在四个女儿里，韦弗莱是最有主见的，或者说……是最霸道的？
与之形成对比的，是丽娜和罗丝的婚姻问题。两个人都过分依赖丈夫，无法在一段男女感情里获得平等地位。丽娜得忍受和丈夫看似公平的AA，而罗丝则在丈夫出轨要求离异后抑郁得要看心理医生。通过母亲和女儿视角的变换，谭恩美将一个女子为何应当拥有坚韧品质娓娓道来，并再次用母女的微妙连衔，指引女儿们走向通往自我觉醒的道路。
卡耐基专门为女性写过一本书《做灵魂有香气的女子》，指引女子如何活成自己想要的模样。其中最重要一点，便是自爱。自爱，是拥有爱自己的能力。是认识到自己值得被自己爱护。这包括拥有自尊，不随便轻贱自己，在他们面前保持自信，不随便贬低自己的价值。还包括温柔，宽和的心态，能正确看待自己和他人。是一本非常值得阅读的书籍。
落叶归根
最后，作者作为外籍华裔，书中也充斥着浓郁的“落叶归根”的思想。我想这应该也是所有出生在海外的二代移民共同的尴尬和困惑，外表上他们是白人，骨子里却承袭炎黄的血液。这困惑无解，并不随时代更迭而减弱。事实上，“二代，三代移民的身份归属感”这个问题迄今也没有人能完美解答。但在《喜福会》里，谭恩美已给出自己的答案。
结语
这是一本优秀的，以东西方文化矛盾为舞台，剖析母女关系的小说。叙述优雅细腻，具有很强真实性。非常适合女性阅读。作为母亲，或是作为女儿，都可以读一读这本书。这本书里有民国时期旧式风雅的味道，也有80年代美国恣肆的味道，有过来人回溯往事的味道，也有即将成为过来人的我们渐行渐悟的味道。
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